Saturday, February 2, 2013

THE RESULT IS NOT YOUR PROBLEM


 
I don’t know about you, but if I come home and find a thousand ants stampeding across my kitchen counter, the first thing I wanna know is: Where’d they come from? I know I’m about to kill them all, but I also know once that’s done, if I don’t know their source, they’re gonna keep coming back. The ants are not actually the problem; they’re the result of the problem, and the problem has a cause. My system is, if I see one or two ants, I wait to kill them. Instead, I watch for a while; I wait until I see them crawl to their entrance so I know exactly what spot to “blow up.” So let’s say they came from a crack in the wall. This is the formula: Crack in wall = cause/source, entryway into house = problem, ants = result. If I focus on eliminating the cause (fix the crack), I can successfully alleviate the problem, which ends the result. But if I get sidetracked and overwhelmed by the ants and only focus on getting rid of them, then I’m off track because I’m under the delusion that I can cure my problem by trying to remedy the result. The best that will happen is that the ants will leave temporarily; but as long as that crack is still in the wall, sooner or later they’ll return because the cause and problem still exist.

It’s the same situation if you have a rash from an allergic reaction. You can put medicine on it all you want, and you may get temporary relief. But until you, for example, stop eating seafood (cause), your allergic reaction (problem) will continue to be the itchy rash (result).

Sometimes, if a cause isn’t dealt with immediately and properly, your problem can spread and produce more than one result. I like to use the tree analogy here. Root (cause), trunk (problem), branches (results). Say emotional trauma is your root, insomnia is your trunk, and your branches are crankiness, lack of energy, inability to focus, and clumsiness. You try to stamp out the effects in different ways, as if you have four separate problems, but never truly get the relief you need because your focus is in the wrong place. Insomnia is your only problem, but even that won’t disappear until you conquer its root: trauma.

I’ll admit that pinpointing the cause of a problem can sometimes be tricky because it may not be as obvious as an action, words, a specific event, or something visible. Many times, the cause stems from unhealthy or misguided thoughts and beliefs about ourselves or certain situations. In that case, we have to work on mastering our minds, balancing our spirits, and making conscious efforts to do whatever it takes to transform on the deepest level so we can quell the problem and deliver new, desirable results to ourselves. Understand that when the results change, it’s because we’ve changed. Our upgraded environment is simply a reflection of the inner work we’ve done.

Getting to the other side of challenges, especially complex ones, may not always be easy. But remembering that [lasting] result elimination will be futile unless the cause is destroyed, will put you in the right position to end your suffering … permanently.

Tuesday, April 17, 2012

NOBODY'S GONNA MAKE IT

This
is not  a test
you will pass

it’s the only
exam you get
a no-grade final

hate to be
the bearer of
bad reminders
but
nobody’s gonna make it
outta this class
alive

see
you act like
you in control
runnin’ thangs
like you got time
to do it all later
like just know  you got
next week
tomorrow
thirty minutes
from now to
visit
call
profess love
be  with who you love
lend a hand
work things out
act right
backtrack to git it right
forgive
apologize
enjoy what
and who
there is to enjoy
say and do
what’s in your heart

you spend
most of your
class time
livin’ for them
not for you
doin’ what
they  say you should
cuz hey
they  know what you need
like
want
better than you
cuz they think
they qualified
to run  
yo'  thang
like they got time
to do you  
and
them

but this class
is for learnin’
’bout who we are
what makes us tick
gittin’ the happy
we all deserve—  
our  way
for growin’ into our best
addin’ joy
not stress
to the lives of others
so that when class
is dismissed—
whatever time that is—
and we turn our life in
on the way out
we can say
we got all
the answers right
for ourselves

but don’t squander
away these minutes
kicked back in your chair
thinkin’ you can
just
make this test up
later


tick

tock


you act like
you got time

but you can’t

see


the clock



©2012 Charlene E. Green










Saturday, April 7, 2012

PROFILE



Maybe
it’s not always time for
Basketball Wives
True Blood
Dancing with the Stars
or the 11 o’clock news
not always time
to click “Like”
become entrenched in a
72-comment conversation
on Facebook
to debate & protest
upload risqué
bathroom-mirror pics
or flood the News Feed
with virtual celebration
about Kobe’s 17th
3-pointer tonight

When’s the last time
you debated the deception
your head has you believing?
got you wedged in relentless
unsavory life patterns
questioning your sanity
spinning in a splintered cycle

Maybe
it’s time to ask “why”
of your substandard conditions
protest your shortage of answers
ponder your own fate
lament less for others
not that they aren’t important
but if you deplete
your energy on them
what's left for you?

Or maybe that’s your point

Maybe
it’s time to visit
with your shadow
find out how it feels
about trailing behind you
in your eternal state of flux
ask if it’s tired
of watching you stumble
and being dragged along
on your rutted journey
apologize for wild-goose chases
for not giving better directions
invite it to lead for a bit
so you can
rewire your GPS

Maybe
it’s time to watch
your reality show
it’s on right now
all day
the real you
unstaged
in need of your dominance
but you’re on mute
cuz you’re bored
confused about the plot
afraid of the conclusion

Maybe
it’s time to “Like”
your own interests & opinions
comment on your behavior
upload mental pics
of your ambitions in fruition
unfriend your ego’s drivel
friend your higher self instead
star in your own life
out-perform yourself
make your shadow proud
to have you as its leader

Maybe
it’s time
to update your profile

offline

Copyright 2012
Charlene E. Green

PERSPECTIVE

I’m thinking about
the fact that I wanna do better
but who’s to say that better isn't
what I'm doing now?

I frequently want more from myself
without being thankful for all that
I accomplish
endure
figure out
and
keep myself from doing

I could be telling this story
from a women's correctional facility
for smashing a head
thru a car window
during a wrangle
potentially deadly
for him
I was incensed

He won’t get out of my car
I need him out
our contempt is monstrous
so I let myself go there
let him take me there
make me snap like brittle bones
under pressure of seething
I'll make him get out
open the door for him
then he'll know
I mean business
get the fuck out of my car
where you’re spitting in my face
with all the disrespect your lungs
can hock up
bullet-filled verbal phlegm
you shoot
perforating me with enough holes
to spurt revulsion I only see in movies
not in my own life
get
out

and I accidentally brush
my arm against his chest
reaching for the door
blaze in his eyes
ireful black man
do you see him
losing control?

then he pushes my forearm
with both hands
before the door opens
and growls: “Don’t touch me!”
but since he's burly
and a 5-alarm fire
push feels like martial art
Chuck Norris on my extremity

then I transmute
into something lethal
now I belong in the wild
among beasts who kill to survive
not in my car
with this man
& four inches
separating our bodies
now we're here:
low-grade domestic violence
when all he had to do was get out
after the first request

now I'm ready
in ways I've never imagined
cuz titanic wrath
has gorged all the good in me
now I wanna kill him
with one thrust of his head
thru my passenger-side window

and I can do it
I'm consumed with yearning
adrenaline inebriated

now all bets are off
bets I don’t even know I’m in on
until now

you think you know yourself
your limits
until all your sensibilities
are drowned in odium

and in three seconds
I see my crime
my lunge
at his head
glass erupting
blood spattering
mutual gut-wrenching roars
his death
bedlam on avenue
in front of his father’s home

Wait
think ...
you can’t kill this man
a hundred feet from his father’s door
over heated words
and a push
it won't be self-defense
it'll be self-sabotage
gather your senses
no
the only killing that'll take place
is of my temper
there'll be no bloodshed
blood on my hands
out-for-blood relatives of his
gunning for me
my head
in courtrooms
or worse
in the streets
suppress your fury
see past this moment
and save two lives
you're not a murderer
you’re just mad

“GET … THE FUCK … OUT!”

And finally he's out
and we're both safe
cuz I did better than I wanted to

And there's no next time
I make sure of it

There's no better that you can do
in this world
than to spare a life
when seconds from taking it

In hindsight
I’ve decided that
thus far
I’ve already done my best

Copyright 2012
Charlene E. Green


Monday, September 26, 2011

MY PLEA TO ALL ARTISTS: GIVE THEM THE FORM (Largely Inspired by George James)


In addition to being a poet, novelist, and editor/proofreader, I’m a motivational speaker. Last Friday night, after attending The Definitive Soapbox open-mic venue in Long Beach, I was encouraging some of my colleagues about the responsibility of being an artist. It started off with one person in particular. I had asked him how the demo CD I had encouraged him to put out by the end of this year, was coming along. He admitted that it wasn’t going too well, and that he was having a difficult time getting the things done needed to produce the CD. He mentioned that there were aspects of the project that only needed “one more thing” done before they were complete, but he just couldn’t seem to conquer those last things. I chuckled, because I recognized what was going on with him. I’d seen it countless times and also experienced it myself—and I still do at times. I then informed him of his “backwards” fear of success. This is not about fearing NOT becoming successful, as in, “I don’t think I can make it happen”; it’s fearing the responsibility that comes when you do. You see, once you decide to give your gift to the world, things change. Right now, I’m talking about everyone who provides a service or product for the public, not just artists. The moment you invite the world to partake in, enjoy, be inspired by, and benefit from your gift, or life mission (I’ll discuss that terminology in a bit), you have now opened yourself all the way up to be sought after, talked about, investigated, criticized, and most of all…NEEDED. Being “needed” is a huge responsibility. I put the word in quotes because technically, if one is tapped into his/her highest power within, or that which he/she calls his/her highest power (God, Spirit, Source, etc.), it is not that often that one truly needs anything from anyone. Of course, we often need things from people in order to keep our lives running smoothly. If your roof caves in, and you don’t know how to fix it, well…you need some help, and you’d better call someone who can. You get my point. But the kind of need I’m speaking of is more on a spiritual level, and in reference to this, I wanna get back to the artist.

In my career guide You Are What You Say You Are: Claiming Your Life’s Mission & Living Your Dream, there is a chapter called “Life Mission: The True Definition.” In it, I discuss the difference between a life mission and a hobby. One passage states: But the entire idea of a life mission is for you to find something you enjoy and that benefits you spiritually and financially, but that also continuously affects and benefits the lives of others in a positive way. In short, your life’s mission is not all about you. It’s about adding to the well-being and happiness of others’ lives on a regular basis through your heartfelt efforts. Understand that if you’re immersed in something that you and only you will benefit from, that’s not a life mission, that’s a hobby. Hobbies are things we do for fun, relaxation, or leisure. This means the intention is not to share it with others; it’s just for us. That is the crucial difference between the two. One is for us to give to ourselves, and the other is for us to give to everyone. Dentists don’t become dentists so they can drill on their own teeth; they do it so they can help us maintain ours. Singers don’t put out CDs so they can sit at home and listen to their own music day in and day out; they do it for our entertainment and enjoyment. And they certainly don’t have concerts and go on tour for themselves; it’s all for us. The same goes for actors, plumbers, exterminators, teachers, chauffeurs, hair stylists, and so on. They [hopefully] do it because they enjoy it, but they’re also doing it so we can benefit from it in the end, not just them.

I mentioned being needed earlier. When you allow the public to experience your gift, people latch on to you and your art; they get attached to what you’re offering. In whatever way they have come to benefit from you and your work, people’s tendency is to want more of it, on a regular basis, because you’ve touched their lives in a special way. They literally come to think and feel that they need your gift. If what you do helps them through hard times, makes them smile, laugh, cry tears of joy, and overall effects positive change in their lives—in ways that they have not yet found to provide for themselves—then rest assured, they will be seeking you out for more and more and more of your gift, your energy, your time. They will wait with baited breath for your next installment of works, so they can dive in with the anticipation that you will once again move their spirit, help them grow, rock their world. I know this to be true because I’ve done it too many times to count with artists. I’ve been attached. I’ve impatiently waited for more. I’ve cried from being uplifted by their work. I’ve even been mildly upset when I can’t get what I “need” from them because it’s not available. (Don’t lie; you know you have too!) With this in mind, if you’re not ready to give of yourself fully as an artist, this can seem daunting and burdensome. This is why so many people have, even without their conscious knowing, this backwards fear of success. Deep down, they know what will happen if they really give their all: If they’re received well, people will expect them to continue to produce. And sometimes we as artists wonder: Will I always be able to give the public what they want? What if I can’t? What then?

Case in point: I have two novels, One Man’s Treasure, and the sequel, And They’ll Come Home. Both novels have been received very well. After the first one, I had not intended to do a sequel; I had another novel I was looking at working on. But although I had anticipated OMT to do well, something unexpected happened: people assumed there would be a sequel, and they started asking me when it was coming out. I was a bit confused…and thrown off…because I honestly thought that I had wrapped everything up nice and tight by the end of the book, and readers would be happy with what they had gotten. Not so. Yes, they were happy—so happy that they wanted more; and to my chagrin, I had no more, at least not where those characters were concerned. I told the first lot of people that I was sorry, but there would be no sequel. I had no more story to tell about Weston and Katrice. But just as I told the group standing outside the venue on Friday night: “You can’t give people beautiful work and not expect them to want more,” I saw clear evidence of that statement. Readers continued to ask me about the release of the sequel, as if I had already begun writing it. To be honest, I started getting a little annoyed that people wouldn’t “leave me alone” about a damn sequel. LOL! I just didn’t understand what else they expected to get from me. Then, fortunately, a brilliant answer was given to me from Angela Brown, an avid reader whom I had met at one of my book signings, whom I’d invited to call me when she was done with OMT to let me know what she thought. Well, wouldn’t you know it, but the first thing she said to me when she got me on the phone was, “Let’s talk about the sequel.” I laughed and shook my head, then told her, like I had told dozens of others, that there wouldn’t be one. And I meant what I said…that is…until she told me exactly why there should be one. And she did so in great detail. For two hours we discussed the sequel, and by the time we got off the phone, I was super excited about getting it done. And get it done, I did. It turned out to be the most exhilarating project I’ve ever done (to date); and I’m truly grateful that Angela took the time to explain to me what the other readers didn’t, so that I could give all of them what they wanted. Here’s the thing though. The sequel turned out so well that now there’s a third novel in production. But that project is moving really slow. I think I only have about two chapters written; and although I fully intend to get it written, I just don’t know when I will…because my backwards fear of success has crept up on me…a little bit. I say a little because part of the reason the book is not finished is that I’m still toiling over some of the plot and characters. Another reason is that I’m also focused on my poetry & motivational speaking; and to be honest, right now, they’re top priority for me, for several reasons. The hidden reason, though, is that I see how serious this artistry thing really is. I have now stepped into the shoes of all the artists I’ve latched on to in the past, wanting, craving, waiting for their work. Now it’s me. And now it’s a little scary. I’m being looked upon to produce something [else] for a large part of the world. Something that’s still not complete. Something that I have to make time to do, and make sure I do it well, better than the other two books, if I can. Something that people want from me now, when I’m focused on a different part of my career at the moment. The responsibility of choosing to share my gift with the world has kicked in full force. It’s sobering. But I appreciate every bit of support I’ve garnered since I began my career with words, and I will continue to give of myself, as long as the public asks me to, and as long as it resonates with me to do it.

And so…back to the venue on Friday night. The discussion turned to artists putting out product. Now, I’m about to make a bold statement, here. In my opinion, a lot of you artists out there are not as serious as you think you are or as you claim to be about fully sharing yourselves & your gifts with the world. You’re still slaving away at a 9-5 that has nothing to do with your true passion, allowing someone else to profit off your time and energy, not letting go of that job because you fear the unknown about your real career. My suggestion is that if you really intend to dedicate yourself to your life’s mission, you might wanna work on getting out of that situation, even temporarily, so you can put all your energy into what’s really important to you. I can speak on it because I’ve left the corporate world twice in my quest to do what I love. The first time, I just straight resigned; the second time, I literally prayed to be relieved of my position so I could get back to doing my mission. I got relieved. And I was fully supported financially both times. But in addition, not only do many of you not have product for the public, you don’t even have business cards, web sites, video footage, or even a blog. These things are important if you really wanna present yourself as an artist for the public. Otherwise, you might wanna ask yourself if what you’re doing is a hobby. Know that if you do decide to only do your art as a hobby, that’s totally fine. But if you know in your heart that you want people to partake in what you do, then it’s time that you kick fear in the ass, send it on its way, and start really putting yourself out there.

One of the last nuggets I left the group with, in regards to putting out product, particularly those who are dealing with the backwards fear of success, was to give the people what they’re asking you for, even if you just give them a little bit. In other words, give them something tangible that they can enjoy, take with them, touch, look at, watch, read, listen to, whatever. Just give them the form, even a small one. You don’t have to do everything at once, or even give anything huge right now. But if people are asking you to share your work in more than just a live setting, where they can’t take what you did home with them, and you’re serious about giving your gift, then find a way to give them the form. These people respect your work enough to ask you for it and wanna purchase it. Out of appreciation for that alone, the least you can do is fulfill their request. Then, while they’re busy and content with that, you can go figure out how and when you’re gonna get the rest of the forms in their entirety, out there to them.

Lastly, to bring home the importance of giving a form (and the real reason I’m writing this blog post), when I got home from the venue, I got a text from one of the members of my long-running spoken word showcase, Urban Legends, telling me that one of our cast mates, George James, aka Depth Perception, had died days earlier in a motorcycle accident. I was, and still am, crushed and very disturbed about this news. I won’t go into why his death bothers me so deeply (that’s a whole other blog post), but what I will say is this: 23-year-old George James left his work in tangible form, for all of his fans and supporters. I’m not sure how many forms he left, but the one that I do know of is video. George has a number of his performances recorded and uploaded to the YouTube site. You can find him at www.youtube.com/depthperception1. There, those who know and love him can always turn to his videos when they want to experience his extraordinary gift. And for those who never got to meet him, now you can, as he has left himself behind, in form, for the world to enjoy and learn from. That is what a true, dedicated artist for the masses, does. His unexpected death is evidence of why it’s crucial to be diligent about getting your work out there. You have no idea when your time will come. When it does, the question is/will be: What form have you left behind for those who know and love you, and who support and respect your gift?

Rest in beautiful peace, George James, aka Depth Perception. You lived fully, you loved hard, and you did the damn thing with your art. Thank you for sharing your life with us through your magnificent gift.



Monday, August 8, 2011

Emotional Turmoil, Part One: Self-Preservation

Don’t let us motivational speakers fool you, not for one minute. We’re not superheroes; we’re human. That being said, you should know that we actually do have challenges in our lives. Everything is not smooth every day. Occurrences are happening all the time, some of them very uncomfortable; but we have a job to do, and that is to encourage all of you. A good portion of the time, that encouragement takes place in person, sometimes on the phone. And while it is not our job to put on airs and pretend to be perfect, what’s important is that when we are in front of you, you don’t see our world falling apart, so to speak. Job = professionalism (at least it should), and having a meltdown on stage, in the middle of a workshop or in-person encouragement session, or over the phone, does not qualify as professional. Yes, a good and honest motivational speaker should be using his or her own personal examples of how he or she overcame XYZ obstacles; without personal stories and victories, people would be less than inclined to take our advice. But freaking out in front of people we’re supposed to be encouraging, when an occurrence is fresh and in motion, is generally the last thing we want to have happen. There have been several times that I was on the mic, pre- or mid-meltdown, and pulled out every bit of my professionalism to get my job done without incident, and then was relieved to be able to let my guard down in the car on the way home.

My motivational-speaking subject is self-love and self-reflection. I’m a constant work in progress, checking myself daily, whether I want to or not, trying to make sure that I’m treating myself right and putting my situations in the proper perspective. It’s not easy all the time. In fact, sometimes I find myself wanting to send myself to my own room because I’ve fallen off the self-love/reflection meter a bit. But then I remember that I’m human, and it’s okay, as long as I make sure to pick myself up, dust myself off really well, and get back on the meter—as high as possible—as soon as I can. More importantly, I remember that in order for me to be an effective motivator, I have to work through my own occurrences successfully so that I can be ready to encourage people who are in the same situation. Part of being a well-rounded speaker in your realm is to have an array of experiences with which to use as encouragement fodder. The subject of self-love is probably the biggest and most important subject there is, because contrary to popular belief, you can’t really lead a successful life without it.

Last night, I found myself dealing with a recurrent occurrence, and in my moment of oversensitivity, I allowed it to break me down. I mean way down…swimming-in-tears down. Now, I’m no crybaby, but I am a firm believer in a good cry every now and then; for me, it helps alleviate a certain amount of stress. And I have them sometimes. But boy, when I do, they are very serious, probably because I don’t do it that often. I’ve gotten pretty good at “sucking it up” during times when I know I just really need to calm down and refocus my energies. Then, there are the times when my system overloads; I’ve sucked up one too many frustrating, hurtful, or disappointing moments, and the dam bursts heavily. And I let it flow. At that point, I know there’s no need in trying to run from what’s happening. The important thing is what I do after it’s over. This is where the self-love comes in, and where the fodder enters the picture.

I know from countless firsthand experiences that wallowing is the absolute worst move you can make after a breakdown. It does nothing but crush all your self-esteem and exacerbate any feelings of hopelessness you may already have. I can’t tell you how many times I’ve allowed myself to “lie down and die,” thinking that if I could just go to sleep for a while, I could get away from the pain, maybe dream up a great solution in the process of my wallow-nap. No such luck. I would wake up just as depressed or even more, realizing that the problem had not packed up and bounced while I snored and drooled for 3 or 4 hours. Not only was the problem still there, but I also I felt crappy about myself on a really deep level for some reason, every single time. I was never sure what that was about, but I soon learned.

Many years ago, in one of the countless self-help books that I’ve read (I apologize that I can’t name it right now), I came across the idea that instead of allowing ourselves to curl up in a ball and wither away at the hands of our problems, the first thing we should do is show ourselves some kind of love. The moments right after a breakdown are so crucial. They’re the precursor for either our overall victory or failure in the situation. Once the tears and tantrum end, it’s what we do next that will make or break us. I can tell you that as an ex-first-class wallower, that will break you. Going to sleep, getting drunk or high, going out and beating someone up to “let off some steam,” or doing anything other than turning your attention to yourself in a loving, caring way, will always lead you to a shoddier place emotionally. The reason is that you have completely abandoned yourself at your worst time. Going to sleep right after a breakdown may not seem like a bad idea, and it’s actually not bad. I mean, sleep is necessary, and it’s not destructive like the other options, right? No, but what it is, is an easy way to avoid looking at your life and dealing with your pain; and in times of crisis, that is the first thing we should do if we want to bring the issue to a close as soon as possible: deal with it—no drugs, alcohol, violence, or convenient escape mechanisms.

You know how when a friend calls you up in a panic and wants you to help them with a problem? You usually do it without hesitation, because you care about that person. You take time out to focus on their issue, show them that you care, dig in and come up with some encouraging words, find a [hopefully healthy] way to make them feel better, if you can. That’s the same thing we should be doing with ourselves in our own time of need. You don’t skip out on your friends when they’re down, so why would you do that to yourself? In times of emotional turmoil, the best counteraction is to find a way to do something loving for yourself, to take care of your life. Typically, after a meltdown, the first thing we forego is our “normal routine.” For example, maybe the dishes won’t get done; the laundry won’t get folded; your teeth may not get brushed and flossed that night; you may skip your exercise routine; if you’re in school, you might not get that homework done; maybe you’ll postpone that prayer session you had planned; or you had cooking a healthy 3-course meal on your agenda, but now you’ll just opt for some greasy fast food. Whatever it is that we normally do when we’re okay, those things are usually the first to go by the wayside when we’re distraught. It’s just too much. We’re too broken down. We’ll do it later, after we ruminate for 18 more hours on the issue at hand. The reality is, it’s how you care for yourself in moments of crisis that show how deep your love for yourself really is. After a breakdown is precisely the time to put extra focus on taking care of your life, even in the smallest way. I don’t care if you just go take out the trash, clip your fingernails, dust the shelves, or go walk around the block once; do any healthy thing that you know will make you feel better or feel good about yourself, even relax you. Any move you can make towards showing yourself that you care about yourself, and even your immediate surroundings, is a great start. You may not think it’s worth much at the time, but I can’t stress enough how showing yourself love and care when you feel bad will boost your self-esteem, and, dare I say, allow you to feel a glimmer of hope about getting through your situation. I can’t begin to explain how it works; it just does. Being your own friend and motivator first, changes things; it gives you incredible strength and resilience. It says, “I love myself enough to not let myself sink into the abyss of hell.” It helps preserve your sanity.

After my hissy fit, of course, I wanted to crawl under my bed and stay there for a week. But I knew better. Since it was nighttime, and there were things I needed to take care of before bed, I knew that those needed to be my first love-myself moves. After calming down and drying my eyes, I sat for a bit, tooling around on the Internet. I was still hurting, which is normal, but I wasn’t about to let myself fall off the meter. So, I got up, went and washed my face and brushed my teeth; then, once that was done and I started feeling better about myself, I got busy washing my dinner dishes in the sink, straightening up my couch area in the living room, and tidying up in the bedroom. These things are not major…when all is right in my world. When all is not, I want no part of the routine. I just wanna scrap everything and mope. But once again, by pushing myself to tend to my well-being, I saw the amazing results of caring for myself when it was hardest to do. My spirits rose; I began to have hope that the situation would get better soon (while in tantrum mode, I had pretty much lost all hope); and the best thing that happened was that I got the idea for this blog post, which instantly excited me because all that hoopla did was lead me right back to doing what I love: writing and motivating. Fodder. Boom. Case closed.

So here I am, at 4:23 a.m., eyes puffy and tired, but happily doing my job. Does my issue still exist? Yep. Do I wanna lie down and die over it? Nope. So guess what, people? I WIN. I loved myself through yet another trying moment, and that’s what it’s all about. Remember: wallowing is reactive; self-care is proactive.

Now…I can go to sleep.

From my book Building Faith and Character Through Life Challenges. For more info and to order, click here.

For information about my life-consulting services, please visit www.honorthespirit.com 

Sunday, December 12, 2010

Some Hair-Raising Words

Yesterday, I had a great conversation with a girlfriend. We discussed self-esteem on a multitude of levels, and one of the topics that came up was sisters rocking short hair-dos, and how much self-esteem that actually takes. Later, I remembered some material that I had written on the subject years ago that had been collecting dust in my notebooks, and thought they would be perfect to use here today. One is an article that I wrote about my own experience with first cutting my hair short, and then finally going natural. The second piece is an excerpt from what was supposed to be a short guide I was gonna write about the process of going natural. But, me being me, I started it, then got hung up on writing projects that were clearly more of a priority for me; but I knew one day I'd get back to it. I always do. So, what I've done is a part one, part two, with both pieces of writing, since they're each pretty short. I hope women and men are able to garner something positive from this. I'd love to hear your comments/thoughts and ideas. This first selection, which I have tweaked slightly today, was written in 2003; the second was written maybe a couple of years later.

PART ONE—HAIRitage: Killing My Dependency ... Naturally

I remember when my chemical dependency first began. It was 1985. A mandatory high school aquatics class changed my life; and in a flash I went from a wash, press, and curl to a [chemical] relaxer. [Had I not done so, dealing with my wet hair in its natural state, in the short span of time between classes, would have made it impossible for me to get to my next class on time.] In the end, what started out being a temporary solution to a short-term problem became a full-fledged addiction. It was such a treat being able to comb through my hair without yelping out in pain when it was wet. No more hot combs, sitting in a sauna-like kitchen getting my ears, neck, forehead, and temples scorched just to combat my "naps." Gone were the days of a little mist in the air killing off my precious hairstyle. And boy, was it great being able to run my fingers through my hair! Needless to say, I continued getting my hair relaxed long after aquatics ended. The perks were great, and I felt free and liberated.

Fast-forward roughly fourteen years. After experimenting with a plethora of hairstyles, and making more trips to the salon than I will ever be able to count, I began to grow weary of the whole "relaxing" scene. While having straight hair did have its pros, there were some definite cons to take into consideration: spending a large chunk of money every two months on new-growth touch-ups; not being allowed to scratch my head for at least twenty-four hours prior to an appointment [scratching opens the pores and sometimes causes small lesions, which gives way to excessive burning when the chemicals are applied]; the hours of manual labor I had to put in to keep my hair looking good between appointments; painful chemical burns on my scalp, whether I scratched or not, which turned into hideous scabs plastered to my head, with small chunks of my hair matted together underneath them. But most of all, I was fed up with relying on a skilled beautician to keep my hair intact, and on her schedule, no less. I longed for something better and much healthier for myself, but I knew that whatever I chose to do would require an immense amount of confidence on my part.

November 4, 1999, the day I finally broke free from the shackles of the salon. After six months of heavy deliberation and an abundance of research, I made the great leap from long and straight to short, curly, and texturized. Although there were still chemicals involved (this process merely opens up your natural curl pattern and gives the hair a softer feel), they were lighter and considered safer than a relaxer; the solution is left in for less than ten minutes. A whole new world opened up for me. This was a simple, low-maintenance hairstyle that I could finally manage myself. I even learned how to cut it with a pair of electric clippers and a guard, which magnified my feeling of accomplishment. I felt I had struck gold in the world of hairdos.

About three years into my new-found freedom, a growing curiosity overtook me. I started wondering what my hair would look like without the texturizer. Even though I loved my hair, I had once again reached a point where I felt enslaved by chemicals. I began to question just how free and liberated I really was. I was seeing sisters wearing their hair natural, from Afro puffs, to locks, waves, and twists (short and long). These women were confident in their beauty and proud of their heritage; they were not caught up in the "straight-is-great" hype, or the need to alter their hair with harmful chemicals. I envied their true freedom, and I questioned: could I ever be bold enough to embrace my own natural beauty?

It took me nearly a year of preparation and soul searching, but I'm happy to say that June 22, 2003 was the day I escaped from the world of chemicals (and also cut my hair even shorter than before, down to less than half an inch). Each day, I have grown more and more fond of my natural curls, and now I am truly free!

For my sisters who are still keeping those appointments at the shop, getting "fried, dyed, and laid to the side," or even weaved, I hope to see you all one day sporting the natural look of your choice, and basking in the wonder of your hair's unique beauty, and above all, your own!

PART TWO—Going Natural ... Comfortably (Excerpt)

I cannot tell you how many sisters I've encountered who have expressed their frustration with their hair. They want to break free of the shackles of chemicals and weaves, but they either don't know what else to do with their hair, or they're afraid to do what they really want: go natural. They see my hair, compliment me on it, and then tell me they wish they could "do that." I confidently assure them that they definitely can; I even give them my famous girl-go-'head-and-cut-your-hair pep talk. And then, they give me a laundry list of reasons why they really can't.

Let's face it: we're vastly different. I'm speaking only of my African sisters right now, to make my point. With our myriad genetic backgrounds, it goes without saying that our hair also comes in a multitude of textures, thickness, and lengths. I will admit that prior to cutting my hair, and then getting comfortable with it in its natural state, I spent a considerable amount of time eyeing other sisters' hair, wishing I had some of what they had. Be it their soft, silky texture, their endless length, or their bouncin'-and-behavin' curls, it seemed as if every sister out there had something better than I did. For years, I compared my hair to that of countless women, and what I finally discovered is that it's not worth it, nor is it healthy. Period.

For those of you out there who indulge in the world of chemicals, weaves, or even still undergo the dreaded hot comb, but long to make the drastic switch to the natural look, you must understand that it is a decision that should not be made without a considerable amount of thought, first. The reason I say that is, it's no secret that a woman's hair is her staple. When we aren't comfortable with the way our hair looks, it can greatly affect our mood, and many times the way we feel about ourselves that day. That said, I urge you to make sure you're really ready for the change when you do it. It can be a huge shock emotionally; and if, for some reason, you (or even your friends and loved ones, especially your man) don't like the outcome, you're liable to plummet deep into the throes of depression. Trust me, I've seen it happen. If you're one who feels that you only look good with, say, bone-straight hair, I would suggest a course in what I call Self-Esteem 101, taught by, none other than, yourself. Losing the straight look (or whatever look you rock that's not natural), means you're comfortable with who you are and your overall appearance. It means that you're proud of your heritage and can embrace it without feeling like less of a woman just because your hair doesn't cascade down the middle of your back, light as a feather, and blow in the wind. If you're having trouble getting in touch with the part of yourself that knows you're beautiful just the way you are, you're not alone. For many, it takes time and self-nurturing. Sometimes, it's an ongoing process.

You see, it's not your fault that you may think your natural hair is unattractive, so don't beat yourself up for not having the guts to just go for it when considering that short crop, or even those sisterlocks or dreads. [European] society at large has led us to believe that our hair needs help or fixing. Just look at all the hair-product commercials on TV. 99 percent of them feature a long-haired Caucasian woman who ensures us that "she's worth it." In the few that do showcase a sister, they have her swinging long, straight hair across the screen. Pay close attention to the ads in top African-American-based magazines. Nearly half of the ads are for some type of chemical product used to transform our hair from unruly to manageable. I've heard a lot of stories from men and women about how they haven't gotten certain jobs because they were asked to change their Afrocentric hair, and they refused. Then, there are the dreaded music videos. In the majority of them where sisters are involved, they have long, flowing hair. If, by chance, a sister with short hair is given a part, hers is usually bone straight with not a hair out of place. I've only witnessed a few artists who are clearly pro-heritage, so to speak, who have sisters with natural dos in their videos. This saddens me. And finally, we have our men. Many, many brothers I've talked to have made it clear that they prefer women with long hair, straight or not; some don't even care if they're wearing a weave, so long as it's, well, long. I've heard everything from "It just looks better" to "It feels good to the touch" to "Women with long hair are just prettier and sexier" to "I like my woman to have long hair so I can run my fingers through it and pull it during sex" (yep, that one too!) to "Women shouldn't have short hair like men" to "Natural hair on a woman isn't feminine enough." All of that just makes my stomach turn. Seriously.

What are your memories as a child of someone telling you that your natural hair was beautiful? Maybe some of you have those fond memories, but sadly, many of us don't. What I do remember is many tearful mornings where my mother struggled to comb through my hair in order to get it into ponytails. I remember dreading getting my hair washed because I knew the aftermath would be unbearable. Back then, products like leave-in conditioner didn't exist. There was no great way to soften the hair before attempting to comb through the shriveled and tangled locks. The frustration both my mother and I would feel while she tried to manage my wet hair was indescribable. With moments such as these, and with no one to reassure us that our hair really was beautiful the way it was, it's no wonder that, over time, we came to resent our hair, and developed the overwhelming desire to turn our backs on what is actually a gorgeous and unrivaled treasure.

*To be continued...

A little footnote: I am in no way suggesting that every sister should go natural. Natural may not be for everyone. My views on the subject are just that: mine. I respect everyone else's as well.

Wednesday, May 5, 2010

VICARIOUSLY SPEAKING: ALL YOU NEED TO GET BY

                                 GOT POEMS?

This collection is easily Charlene E. Green's best yet. It has been labeled "self-help poetry," and for good reason. With her signature poems "Self-Construction," "Revelationary Tears," and "Damaged Goods" gracing the pages, it's easy to see why, after absorbing this potent content, you'd feel you just had therapy. But there is also fun to be had among the hard-core food for thought. So go on ... immerse yourself. Treat yourself. Today.
                                                     
                                         $10.00
               TREAT YOURSELF HERE


For more information about my work and other purchasing options, please visit www.hustledivaspeaks.com

Friday, April 30, 2010

NaPoWriMo 30/30 - Double Tanka

PERSONAL VICTORY

Don't let the fact that
you failed to win the prize make
you feel like you lost;
if you did your best, you won
in the most important way.

Prizes should not be
used to measure your self-worth;
it should already
be intact so no matter
what, you feel like a victor.

Thursday, April 29, 2010

NaPoWriMo 29/30 Haiku

CHOCOLATE CITY

Rainbow of brown hues
each one lush and unique in
the African race

NaPoWriMo 28/30 Haiku

BRRRRR

Wind damn near blowin'
my freakin' windows in, this
ain't no spring weather!

Saturday, April 24, 2010

NaPoWriMo 24/30 - Haiku

DO IT YOURSELF

Parents, your kids aren't
put on this earth to fulfill
your dreams; that's your job

Tuesday, April 20, 2010

Special NaPoWriMo, 21&22/30 - For Alice

I just found out that one of our beloved poetry-family members, Alice "The Poet" Nicholas, was hospitalized with cardiac spasms. Some of us are writing poems for/to her while she's undergoing observation at Cedars Sinai. These two poems are Tanka, which is similar to the Haiku, except the formatting of the lines' syllables is 5, 7, 5, 7, 7. For more info about Tanka poetry, visit http://www.americantanka.com/about.html


PIECE O' CAKE

Alice is strong, so
this little bump in the road
ain't no thang for her
plus, she got too many friends
prayin' for her to bounce back

CONFIRMATION

I heard some great things
about Alice The Poet
and when I met her
she blessed me with her skills and
I found out they were all true


Get well soon, Alice! We're not done with you yet!

NaPoWriMo 14- 20/30: HAIKU TIME!

All right, it's time for me to work out some Haiku around here. Actually, I have a book that I'm working on called "Haiku You Do That to Me?": A Little Book of Haiku. I started it last year during NaPoWriMo time, and I wrote about 20 of them. I haven't worked on it since then, really, so I'm using this time to add some more to the pot. For those who aren't familiar with what a Haiku poem is, here's some basic info (cut & pasted from a site):

Haiku is a poetic form and a type of poetry from the Japanese culture. Haiku combines form, content, and language in a meaningful, yet compact form. Haiku poets, which you will soon be, write about everyday things. Many themes include nature, feelings, or experiences. Usually they use simple words and grammar. The most common form for Haiku is three short lines. The first line usually contains five (5) syllables, the second line seven (7) syllables, and the third line contains five (5) syllables. Haiku doesn't rhyme. A Haiku must "paint" a mental image in the reader's mind. This is the challenge of Haiku - to put the poem's meaning and imagery in the reader's mind in ONLY 17 syllables over just three (3) lines of poetry!

So, I don't always go for the great imagery; sometimes I go the route of making a good point or saying something witty. The idea is to do whatever you're gonna do (tell a story, make a point, etc.) in the 3 lines, making sure the syllables in your lines are 5, 7, 5. You might think throwing 3 measly lines together to make a poem is easy, but it's kinda not. In order to write a good Haiku, some thought has to go into the message, while staying on point with your line formatting. There are some hard-and-fast Japanese rules for Haiku poems which involve the use of seasons as part of the imagery/message, but a lot of the Haiku you see poets writing may not conform to that. Some people title theirs, some don't; I always do.

QUIET ANTICIPATION

Slumber caresses
my body while I dream of
tomorrow's blessings

PASSIONATE RAYS

Sun's kissin' my lips
warm 'n' soft like a lover
who's cravin' my taste

ONE-STOP SHOP

When searching for his
truth, the first place she checks is
the look in his eyes

PREP COURSE

Determination's
the first step when planning for
all life's victories

SHORT CHANGED

Access to my thoughts
will cost more than a penny
don't insult their worth

SENSE PERCEPTION

The sound of my name
dancing on your tongue is my
ears' favorite song

TIME-SENSITIVE EMOTIONS

He ships her his love
overnight from his heart, marked
return to sender